![]() This cross-sectional study found a moderate association between passive movement and SSRI use, as well as SSRI detection capacity of passive movement using time series deep learning models. When averaged across individuals and across 7 days, the results show less overall movement in the SSRI group (mean, 120.1 vertical acceleration counts/min ) compared with the non-SSRI control group (mean, 168.8 vertical acceleration counts/min ). To account for possible confounding by indication, we constructed a parallel model incorporating depression severity, finding only marginal performance improvement. A cross-validated, deep learning classifier was constructed that achieved fair performance predicting SSRI use (area under the curve, 0.67 for the validation set and 0.66 for the test set). Of the 7162 participants included in the study, the mean (SD) age was 33.7 (22.6) years, 266 (3.7%) were taking an SSRI, 3706 (51.7%) were female, 1934 (27.0%) were Black, 1823 (25.5%) were Mexican American, 210 (2.9%) were other Hispanic, 336 (4.7%) were other or multiracial, and 2859 (39.9%) were White (per the NHANES data collection protocol). The primary outcome was the intensity of body movement as recorded by a piezoelectric accelerometer worn on the right hip for more than 1 week. The use of SSRIs (sertraline hydrochloride, escitalopram oxalate, fluoxetine hydrochloride, paroxetine hydrochloride, and citalopram hydrobromide), as reported by participants interviewed by NNHANES personnel, was the primary exposure, measured as a binary variable (taking an SSRI vs not taking an SSRI). Statistical analysis was performed from April 1, 2021, to February 1, 2022. This cross-sectional study examines longitudinally collected wearable movement data within a cross-sectional sample of 7162 participants from the 2005-2006 National Health and Nutrition Examination Survey (NHANES), a nationally representative population-based sample of noninstitutionalized persons in the US having both medication information and passive movement data. To evaluate whether differences in physical movement exist among individuals treated with SSRIs compared with control participants and to identify the unique features of the movement of patients treated with SSRIs. No large-scale studies using naturalistic, longitudinal, objective data have validated physical activity findings, and actigraphy data are well suited to address this task. Selective serotonin reuptake inhibitors (SSRIs) are a common first-line treatment for some psychiatric disorders, including depression and anxiety although they are generally well tolerated, SSRIs have known adverse effects, including movement problems, sleep disruption, and gastrointestinal problems (eg, nausea and upset stomach). These results suggest that the administration of Syn could attenuate the testicular dysfunctions induced by UCMS. These UCMS-induced changes were inhibited by the administration of Syn, which was confirmed by the results of in situ hybridization analysis. Similarly, the transcription levels of gonadotropin-releasing hormone (GnRH), GnRH receptor, and gonadotropins, moreover, testicular development (i.e., Adam5, Adam29, and Spam1) - and steroidogenesis (i.e., Lhr, Egfr, and StAR) -related genes were significantly downregulated by UCMS. Histopathological analysis of the testes showed that these organs experienced some damage during UCMS, but this was repaired following treatment with Syn. ![]() ![]() Unpredictable chronic mild stress (UCMS) significantly increased the serum levels of corticosterone, however, treatment with Syn suppressed UCMS-induced increases. This study investigated the effects of a synbiotic combination (Syn) of Lactobacillus gasseri 505 (505) and Cudrania tricuspidata leaf extract (CT) on the hypothalamic-pituitary-gonadal axis in mice under chronic stress.
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Publisher PLAYISM announced that Bright Memory: Infinite will shoot-and-slash onto PlayStation 5 and Nintendo Switch alongside the previously announced Xbox Series X|S version.īoth Xbox Series X|S and PS5 versions support raytracing with reflections at 60 FPS, with a 120 FPS performance mode also available for those seeking the smoothest combat experience. SRO (Supernatural Science Research Organization) agent Shelia's adventure is about to begin. ![]() It is soon discovered that the various beasts and corpses of those who once populated the island have been reanimated by the "Soul of Jiu Xuan", and they're coming for Shelia. To make matters worse, while attempting to calibrate coordinates on the Quantum Transporter, Shelia mistakenly activates the device, immediately transporting everyone in the vicinity to the Floating Island - an airborne continent near the North Pole, undisturbed in its slumber for over 1000 years. In an attempt to take possession of the substance, the "SAI" - a massive terrorist organization controlling its own army - has used a cutting-edge piece of technology known as a "Quantum Transporter" to infiltrate the SRO research facility and steal top-secret and incredibly dangerous data. This substance, known as the "Soul of Jiu Xuan", possesses the ability to reanimate the dead. The 1000-year-old relic swords known as "Kanshou and Bakuya", discovered through SRO research, have been found to comprise a unique multilayered structure, containing a mysterious substance in their cores. This game depicts the maiden adventure of a woman named "Shelia" in the year 2020. It is soon discovered that these strange occurrences are connected to an archaic mystery – an as-of-yet unknown history of two worlds, about to come to light. The Supernatural Science Research Organization (SRO) has sent agents out to various regions to investigate this phenomenon. ![]() A strange phenomenon for which scientists can find no explanation has occurred in the skies around the world. Bright Memory: Infinite is set in a sprawling, futuristic metropolis in the year 2036. Archers, fun as they are – are limited to a certain amount on each side so you aren’t just dealing with a deluge of pointy things. The archer class can be some serious fun, picking off distant targets with well-placed shots and I genuinely believe that firing an arrow that proceeds to weave through a crowd of your battling team-mates to drop an enemy with a perfect shot to the temple is one of the most satisfying things in all of gaming. The game works by throwing you into one of the online games and, after your first death you’ll be able to select a class from one of the four available, all of which have differing abilities and specialities. Torn Banner has also stated that the game will at least double in size and include cavalry in future updates which will definitely add to the carnage and variety. Whether it was laying siege to a castle, defending peasants in a township or even just pushing wagons through a valley (something that I found oddly enjoyable, due to how open it leaves you to attack and how satisfying it is to make headway) I was hips deep in the action – and blood. Whilst all-out deathmatch is fun, I quickly realised that the more ‘objective based’ stages were of huge appeal to me. There are also other three maps that focus on pure deathmatch: There are currently five maps that feature differing objectives: ![]() ![]() Whilst the game does have an offline mode, the AI is pretty ‘swarmy’ and this is only really useful as a primer for practice at the main game, online multiplayer is where the real money is. Also, please take note of how the person who guides you through the combat appears to be the angriest man in Somerset. I do recommend that this tutorial is completed, as the game is quite complex in terms of melee combat as well as different character classes and abilities, it’s easy to miss certain key commands – such as the ability to press the shoulder buttons and throw your axe at someone’s ‘Hale and Pace’. ![]() The sequel to 2012’s Chivalry: Medieval Warfare – a game I’m not familiar with – Chivalry 2 begins by introducing the two warring factions, The Agatha Knights and The Mason Order (or ‘blues and reds’) and a tutorial to explain how the combat works.
![]() ![]() Much of the authentic assessment literature uses a fairly disarticulated and ahistorical sense of authenticity, with little or no reference to the significant philosophical discussions of the term. Interest in authentic assessment also covers many disciplinary fields, including those in STEM, health, and social sciences. Authentic assessment in higher education has been particularly prominent in the UK (Maclellan, 2001 Rust, 2007 Sambell & Brown, 2021 Sambell et al., 2013) and Australia (Ajjawi et al., 2019 Ashford-Rowe et al., 2014 Herrington, 2014 Herrington & Herrington, 1998) however, we can also see engagement in other parts of the world: for example, Chile (Villarroel et al., 2018), Indonesia (Arlianty et al., 2017 Sutadji et al., 2021), Sri Lanka (Karunanayaka & Naidu, 2021), Singapore (Chong et al., 2016), Netherlands (Gulikers et al., 2004), South Africa (Maniram & Maistry, 2018), and Botswana (Oladele, 2011). The increasing international focus on the idea of authentic assessment demonstrates the importance of reflecting deeply on what we do and do not wish to achieve through this form of assessment. ![]() One important way in which contemporary higher education has promoted its relationship with the wider world is through the concept of authentic assessment, which is variously understood as assessment linked to real-world tasks, the world of work, or authentic knowledge. Where Weinstein valorises separation from broader society, today universities around the world are expected to have explicit, close, and direct links to wider society, and particularly the economic realm. The contrast between Weinstein’s, 1975 vision of higher education (in this journal) and prevailing attitudes today is stark. Too close a social involvement can make higher education socially useless (1975, p. For only by preserving this element - which does not mean in practice preserving it in every single corner of higher education but generously spreading it through-out - can it begin to maintain capacities for neutrality and independence, for objectivity and disinterestedness which may make what it has to offer at the same time socially useful. In each generation higher education has to provide exemplars for the next generation of socially uncommitted and irrelevant scholarship, teaching, and research. Senses of achievement can become richer, thus enhancing the students’ sense of self, self-worth, and well-being.įor academic activity in higher education to be self-perpetuating it has to some extent to be unworldly. To achieve this aim, I suggest we move from simply focusing on the authentic task to considering why that task matters? This then enables a shift from the student in isolation to the student as a member of society. I argue that we should move from thinking in terms of either the so-called real world, or the world of work, to focus our justification for authentic assessment on its social value (which encompasses but is not limited to its economic value). Little of this literature actually engages with the rich philosophical debates on authenticity, and in this article, I suggest that this deeper understanding of authenticity can enable us to build on existing work on authentic assessment to develop a more holistic and richer concept that will be more beneficial to individual students and to the larger society of which they are part. There is, however, I argue, a common conflation of real world with the world of work. I consider the origins of the term in the US schooling sector, and how it has developed over time, and in different countries, to today focus in higher education largely on real world tasks. This article seeks a deeper understanding of the concept of authentic assessment which ensures it does not become another educational buzzword, slowly diminishing in real meaning. ![]() Use your smartphone and a bluetooth speaker so you can pause the music without tipping off the kids. Use a variety of musical styles and tempos to encourage different types of dance and movement. Play a favorite song, the kids have to “freeze” when the music is paused. Red Light, Green Light – Students can work on their executive function skills with this preschool game.ĭo your kids need a little extra help listening and following directions? Then you need these simple Simon Says movement games in your life!įreeze Dance: A classic game that’s not only fun, but helps kids develop self-regulation skills. Fox? – The perfect fun game for developing important listening and self-regulation skills. Huckle Buckle Beanstalk- Watch the video to learn how to play this 19th century game that still packs a powerful punch today. Row, Row, Row, Your Boat- Students can be partnered up to sing along to this classic song! Indoor Preschool F or Listening & Self-Regulation Kids love moving and singing along to this fun game. It’s also a great game for developing important gross motor skills.īluebird, Bluebird Through the Window – Watch the video to learn this classic song and movement game. Popcorn! Parachute Game- This whole group game is great for students to learn how to work together. Use pictures of popular storybook characters if your kids aren’t ready for numbers.Ĭolor Corners: Or use colors (indoors or out).ĭuck Duck Goose – This classic game is a great way to get a little exercise in, but also helps children develop self-regulation skills and pay attention. Forgot how to play? Here’s a step-by-step guide to jog your memory. Many of these indoor recess games also help develop important gross motor and social skills – yes, please! And many of these indoor games for kids can be played outdoors too!Ĥ Corners: This classic indoor game is simple to teach and easy to play. These preschool games, music, and movement activities are perfect for indoors and still keep active preschoolers moving and having fun. Instead of dreading those days, here are more than 30 fun indoor activities and games for kids your students will love. If you’re looking for another easy indoor game, try Would You Rather Questionsfor kids.Need some indoor games and recess ideas? Tired of musical chairs? You’re in the right place! We all know that kids need to move to burn off excess energy, but it can be tricky when it’s too cold, hot, or wet to go outside. We hope your kids enjoy these Simon Says actions and maybe you will as well! No one says that adults can’t join in on a fun game of Simon Says too! Get the PDF printable of all of these Simon says ideas HERE. A pdf file for printing is located at the bottom of the post. Here is an image with all of the actions you can print off. ![]() Some are simple enough for a toddler to do, others are so silly that it will result in giggles.Įither way, these Simon Says actions are great for kids of all ages and will keep them busy while getting their bodies and minds moving. Play the game for a family game night activity.Bring them with you on a trip or a vacation.Have ideas ready when you need a quick activity in a classroom setting.Get kids active when stuck inside on a cold or rainy day.The leader can try to make things more difficult by speeding up the pace of calling out the actions. For example, if the leader says just “touch your toes” and someone touches their toes, they are out of the game. If someone does the action and the leader did not say Simon says, that person is out of the game. Then the leader has to try and get everyone to do an action without saying Simon says. For example, Simon says, touch your toes. Everyone else must follow the leader and do the action, but only when Simon says. One person is the leader and calls out the actions. You can copy and paste to create your own printable, or use the one that we have already created for you! We only ask that if you are reprinting in a community newsletter or school newsletter that you credit our website as the source. ![]() We also have all of the Simon Says actions in this post if you need them. To make it easy, we have created a printable list of 50+ Simon Says Actions. ![]() Whichever channel it detects first − from Host or Device − is the assigned channel (if your kit is dishing out ALL channels, Mini MIDI will pick the first one… which is 1). ![]() On powering up, Mini MIDI sits patiently waiting for a MIDI signal. In the end we used ‘first come, first served’. (Far left, BTW, because then you can use angled USB connectors and avoid thick cables trailing all over your rack… ). A front panel selector would increase the size of a module that′s designed to be squeezed into the far left of your rack. DIP switches are wildly impractical, as you often need to change MIDI channels. We thought hard about MIDI channel assignment. USB Host is the heart of Mini MIDI, bridging the gap between your modular system and a MIDI host device, such as a DAW or hardware MIDI sequencer. 22mA + current consumption of a connected class compliant USB Device, USB current supply available up to 500mA USB MIDI Host Interface output current: up to 500 mAģU Eurorack module, 4 HP wide, compatible with Skiff cases USB Device lets you connect… wait for it… a USB MIDI device! An obvious use is when you want to use your favourite, gig-friendly, USB controller on stage to control that cut-off, thus keeping your real-estate-guzzling modular rack out of the way (and out of reach of that beer you have perched on a cheap M-Audio controller). If this is you, you won′t be disappointed. Start(stop) and Clock offer no surprises, but if you have a sequencer in your rack you aren′t looking for surprises, just a way to trigger it and keep it in time from your DAW and other kit. The remaining three DIP settings access three additional modes: Note Velocity and Aftertouch modes convert those signals to CV, while Calibration allows precise setting of scale and pitch offset. You can select from 13 different CC values (if you′re superstitious then Mini MIDI is not for you). The CC value to be converted is set using rear panel DIP switches, allowing multiple Mini MIDIs to respond to different CC values from the same DAW / instrument source. Pitch and Gate are self-explanatory, taking MIDI note information (pitch and note-on/off) from your DAW / keyboard / keytar / USB-whatever, and turning it into something your modular oscillators understand.ĬC receives note velocity, aftertouch, or continuous controller information from USB and spits out modular-friendly CV, ready to command anything from filter cut-off to LFO rate. Nevertheless, this simple, space-saving format contains no less than seven connections: Pitch, Gate, CC, Start, Clock, USB Device, USB Host. Mini MIDI draws aesthetic inspiration from a runway model… or a drumstick… or the Taipei 101. We love the power and creativity of DAWs, so we′ve long dreamed of a module to bridge the gap between our computer, modular system, and USB MIDI devices. ![]() We love analogue hardware, and we also love the power and creativity of DAWs. ![]() With over 20+ modules and three complete modular systems in our portfolio, you′d be forgiven for thinking we′re a bunch of purists, roaming the studios of Berlin by night, looking for unsuspecting copies of Ableton Live and Cubase to infect with viruses.īut nothing could be further from the truth. Want to connect your modular system to USB MIDI equipment or computer-based DAWs? Simultaneously? We did too. Scheduler tasks can be run by the second or minute, or on a hourly, daily, weekly, or monthly basis. In addition, the chaining feature can run tasks in sequence or conditionally depending on exit codes. All of them offer a simple template that you can customize. Automize contains several pre-configured tasks, not commonly found in other applications, this includes automated SQL database queries, support for MS Office tasks, CGI testing and more. ![]() You can choose the task from one of the many categories and then customize it to your needs. Summary: Automize is a task scheduler and automation software that can automate a variety of tasks, including ftp transfers, ftp monitoring, web downloads, web site monitoring, email checking and sending, telnet, ping, directory monitoring and more. 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